264
Literatur
Geburtstag, Tübingen, 155-169 (= On Coming After. Studies in Post-Classical Greek
Literature and Its Reception. Part 1: Hellenistic Poetry and Its Reception, Berlin
2008, 212-228).
Hurschmann, R. (2000): ‘Nachttopf’, DNP 8, 673-674.
Jahn, O. (1855): Über den Aberglauben des bösen Blicks bei den Alten, (BSG 7) Leipzig.
Jocelyn, H. D. (1980): A Greek Indecency and its Students: ΛΑΙΚΑΖΕΙΝ, PCPhS 26,
12-66.
Jones, N. F. (1987): Public Organization in Ancient Greece. A Documentary Study,
Philadelphia.
Kaibel, G. (1895): Sententiarum über septimus, Hermes 30, 429-446.
Kanavou, N. (2011); Aristophanes’ Comedy of Names. A Study of Speaking Names in
Aristophanes, Berlin/New York.
Karachalios, F.-S. (2006): Aristophanes’ lost Thesmophoriazusae revisited: on the date
and plot, LICS 5.02 (2006) (http://www.leeds.ac.uk/classics/lics/).
Karouzou, S. (1972): AnUnderworld Scene on a Black-figured Lekythos, JHS 92, 64-73.
Kassel, R. (1977): Aus der Arbeit an den Poetae Comici Graeci, ZPE 25, 54-94.
Kassel, R. (1978): Aus der Arbeit an den Poetae Comici Graeci, ZPE 32, 23.
Kassel, R. (2000): IG XII 6,1, ZPE 132, 132.
Kassel, R. (2003): Aus der Arbeit an den Poetae Comici Graeci 13, ZPE 145, 23-29.
Kassel-Austin = Poetae Comici Graeci (PCG): PCGI (Comoedia Dorica Mimi Phlyaces).
Ediderunt R. Kassel et C. Austin, Berolini/Novi Eboraci 2001; PCG II (Agathenor—
Aristonymus), 1991; PCG III2 (Aristophanes. Testimonia et Fragmenta), 1984; PCG
IV (Aristophon—Crobylus), 1983; PCG V (Damoxenus—Magnes), 1986; PCG VI
2 (Menander. Testimonia et Fragmenta apud scriptores servata), 1998; PCG VII
(Menecrates—Xenophon), 1989; PCG VIII (Adespota), 1995.
Kavoulaki, A. (2005): Crossing Communal Space: The Classical Ekphora, ‘Public’ and
‘Private’, in: V. Dasen/M. Pierart (Hgg.), Ιδία και δημοσία. Les cadres «prives» et
«publics» de la religion grecque antique, Liege, 129-145.
Keaney, J. J. (1967): New Fragments of Greek Authors in Codex Marc. Gr. 444, TAPhA
98, 205-219
Keller, O. (1909; 1913): Die antike Tierwelt. Erster Band: 1909; zweiter Band; 1913,
Leipzig.
Kerkhof, R. (2001): Dorische Posse, Epicharm und Attische Komödie, München/Leipzig.
Kidd, S. E. (2014); Nonsense and Meaning in Ancient Greek Comedy, Cambridge.
Kidd, T. (1817): in Ricardi Dawesii Miscellanea critica. Typis quartum excusa prodeunt
ex recensione et notis T. K., Cantabrigiae.
Kilmer, Μ. F. (1993): Greek Erotica on Attic Red-Figure Vases, London.
Klein, J. (1865): Erotiani vocum Hippocraticarum conlectio. Recensuit emendavit frag-
mentaque adjecit J. K., Lipsiae.
Kock, T. (1880-1888): Comicorum Atticorum Fragmenta. Ed. T. K. Vol. I (Antiquae
comoediae fragmenta), Lipsiae 1880; vol. II (Novae comoediae fragmenta. Pars I),
1884; vol. III (Novae comoediae fragmenta. Pars II. Comicorum incertae aetatis
fragmenta. Fragmenta incertorum poetarum. Indices. Supplementa), 1888.
Kolb, F. (1981): Agora und Theater, Volks- und Festversammlung, Berlin.
Literatur
Geburtstag, Tübingen, 155-169 (= On Coming After. Studies in Post-Classical Greek
Literature and Its Reception. Part 1: Hellenistic Poetry and Its Reception, Berlin
2008, 212-228).
Hurschmann, R. (2000): ‘Nachttopf’, DNP 8, 673-674.
Jahn, O. (1855): Über den Aberglauben des bösen Blicks bei den Alten, (BSG 7) Leipzig.
Jocelyn, H. D. (1980): A Greek Indecency and its Students: ΛΑΙΚΑΖΕΙΝ, PCPhS 26,
12-66.
Jones, N. F. (1987): Public Organization in Ancient Greece. A Documentary Study,
Philadelphia.
Kaibel, G. (1895): Sententiarum über septimus, Hermes 30, 429-446.
Kanavou, N. (2011); Aristophanes’ Comedy of Names. A Study of Speaking Names in
Aristophanes, Berlin/New York.
Karachalios, F.-S. (2006): Aristophanes’ lost Thesmophoriazusae revisited: on the date
and plot, LICS 5.02 (2006) (http://www.leeds.ac.uk/classics/lics/).
Karouzou, S. (1972): AnUnderworld Scene on a Black-figured Lekythos, JHS 92, 64-73.
Kassel, R. (1977): Aus der Arbeit an den Poetae Comici Graeci, ZPE 25, 54-94.
Kassel, R. (1978): Aus der Arbeit an den Poetae Comici Graeci, ZPE 32, 23.
Kassel, R. (2000): IG XII 6,1, ZPE 132, 132.
Kassel, R. (2003): Aus der Arbeit an den Poetae Comici Graeci 13, ZPE 145, 23-29.
Kassel-Austin = Poetae Comici Graeci (PCG): PCGI (Comoedia Dorica Mimi Phlyaces).
Ediderunt R. Kassel et C. Austin, Berolini/Novi Eboraci 2001; PCG II (Agathenor—
Aristonymus), 1991; PCG III2 (Aristophanes. Testimonia et Fragmenta), 1984; PCG
IV (Aristophon—Crobylus), 1983; PCG V (Damoxenus—Magnes), 1986; PCG VI
2 (Menander. Testimonia et Fragmenta apud scriptores servata), 1998; PCG VII
(Menecrates—Xenophon), 1989; PCG VIII (Adespota), 1995.
Kavoulaki, A. (2005): Crossing Communal Space: The Classical Ekphora, ‘Public’ and
‘Private’, in: V. Dasen/M. Pierart (Hgg.), Ιδία και δημοσία. Les cadres «prives» et
«publics» de la religion grecque antique, Liege, 129-145.
Keaney, J. J. (1967): New Fragments of Greek Authors in Codex Marc. Gr. 444, TAPhA
98, 205-219
Keller, O. (1909; 1913): Die antike Tierwelt. Erster Band: 1909; zweiter Band; 1913,
Leipzig.
Kerkhof, R. (2001): Dorische Posse, Epicharm und Attische Komödie, München/Leipzig.
Kidd, S. E. (2014); Nonsense and Meaning in Ancient Greek Comedy, Cambridge.
Kidd, T. (1817): in Ricardi Dawesii Miscellanea critica. Typis quartum excusa prodeunt
ex recensione et notis T. K., Cantabrigiae.
Kilmer, Μ. F. (1993): Greek Erotica on Attic Red-Figure Vases, London.
Klein, J. (1865): Erotiani vocum Hippocraticarum conlectio. Recensuit emendavit frag-
mentaque adjecit J. K., Lipsiae.
Kock, T. (1880-1888): Comicorum Atticorum Fragmenta. Ed. T. K. Vol. I (Antiquae
comoediae fragmenta), Lipsiae 1880; vol. II (Novae comoediae fragmenta. Pars I),
1884; vol. III (Novae comoediae fragmenta. Pars II. Comicorum incertae aetatis
fragmenta. Fragmenta incertorum poetarum. Indices. Supplementa), 1888.
Kolb, F. (1981): Agora und Theater, Volks- und Festversammlung, Berlin.