268
Literatur
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3, 108-185.
Nauck, A. (1888): Kritische Bemerkungen, Mel. Gr.-R. 5, 98-252.
Nauck, A. (1894): Bemerkungen zu Kock Comicorum Atticorum fragm., Mel. Gr.-R.
6, 53-180.
Neil, R. A. (1901): The Knights of Aristophanes. Edited by R. A. N., Cambridge.
Neri, C. (2013): Olisboi e Polianattidi (Sapph. fr. 99 L.-P. = Ale. fr. 303A V.), Eikasmos
24, 11-28.
Nesselrath, H.-G. (1990): Die attische Mittlere Komödie. Ihre Stellung in der antiken
Literaturkritik und Literaturgeschichte, Berlin/New York.
Noussia-Fantuzzi, Μ. (2010): Solon the Athenian, the Poetic Fragments, Leiden/Boston.
Nünlist, R. (2009): Ancient Critic at Work. Terms and Concepts of Literary Criticism
in Greek Scholia, Cambridge.
Ogden, D. (1997): The Crooked Kings of Ancient Greece, London.
Olson, S. D. (1997): Was Carcinus I a Tragic Playwright?: A Response, CPh 92, 258-260.
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by S. D. O., Oxford/New York.
Olson, S. D. (2002): Aristophanes. Acharnians. Edited with Introduction and Com-
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Olson, S. D. (2014): Eupolis frr. 326-497. Translation and Commentary, (Fragmenta
Comica 8.3) Heidelberg.
Olson, S. D./A. Sens (1999): Matro of Pitane and the Tradition of Epic Parody in the
Fourth Century BCE. Text, Translation, and Commentary, Atlanta.
Olson, S. D./A. Sens (2000): Archestratos of Gela. Greek Culture and Cuisine in the
Fourth Century BCE. Text, Translation, and Commentary, Oxford.
Orth, C. (2009): Strattis. Die Fragmente. Ein Kommentar, Berlin.
Orth, C. (2013): Alkaios - Apollophanes. Einleitung, Übersetzung, Kommentar, (Frag-
menta Comica 9.1) Heidelberg.
Orth, C. (2014): Aristomenes - Metagenes. Einleitung, Übersetzung, Kommentar, (Frag-
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Orth, C. (2015): Nikochares - Xenophon. Einleitung, Übersetzung, Kommentar, (Frag-
menta Comica 9.3) Heidelberg.
Orth, F. (1922): ‘Hund’, RE VIIL2 2540-2582.
O’SuIlivan, N. (1992): Alcidamas, Aristophanes, and the Beginnings of Greek Stylistic
Theory, Stuttgart.
PA = Kirchner 1901-1903.
PAA = Traill 1994-2011.
Padgett, J. Μ. (2000): The Stahle Hands of Dionysos: Satyrs and Donkeys as Symbols of
Social Marginalization in Attic Vase Painting, in: B. Cohen (Hg.), Not the Classical
Ideal. Athens and the Construction of the Other in Greek Art, Leiden, 43-70.
Paladini, Μ. L. (1958): Considerazioni sulle fonti della storia di Cleone, Historia 7,
48-73.
Parker, R. (1983): Miasma, Pollution and Purification in Early Greek Religion, Oxford.
PCG = Kassel-Austin.
Pellegrino, Μ. (1994): Nota a Plutarco (966A = soll. anim. 9), Sileno 20, 401-404.
Literatur
Nauck, A. (1874): Bericht über E. Miller’s Melanges de Litterature Grecque, Mel. Gr.-R.
3, 108-185.
Nauck, A. (1888): Kritische Bemerkungen, Mel. Gr.-R. 5, 98-252.
Nauck, A. (1894): Bemerkungen zu Kock Comicorum Atticorum fragm., Mel. Gr.-R.
6, 53-180.
Neil, R. A. (1901): The Knights of Aristophanes. Edited by R. A. N., Cambridge.
Neri, C. (2013): Olisboi e Polianattidi (Sapph. fr. 99 L.-P. = Ale. fr. 303A V.), Eikasmos
24, 11-28.
Nesselrath, H.-G. (1990): Die attische Mittlere Komödie. Ihre Stellung in der antiken
Literaturkritik und Literaturgeschichte, Berlin/New York.
Noussia-Fantuzzi, Μ. (2010): Solon the Athenian, the Poetic Fragments, Leiden/Boston.
Nünlist, R. (2009): Ancient Critic at Work. Terms and Concepts of Literary Criticism
in Greek Scholia, Cambridge.
Ogden, D. (1997): The Crooked Kings of Ancient Greece, London.
Olson, S. D. (1997): Was Carcinus I a Tragic Playwright?: A Response, CPh 92, 258-260.
Olson, S. D. (1998): Aristophanes. Peace. Edited with Introduction and Commentary
by S. D. O., Oxford/New York.
Olson, S. D. (2002): Aristophanes. Acharnians. Edited with Introduction and Com-
mentary by S. D. O., Oxford/New York.
Olson, S. D. (2014): Eupolis frr. 326-497. Translation and Commentary, (Fragmenta
Comica 8.3) Heidelberg.
Olson, S. D./A. Sens (1999): Matro of Pitane and the Tradition of Epic Parody in the
Fourth Century BCE. Text, Translation, and Commentary, Atlanta.
Olson, S. D./A. Sens (2000): Archestratos of Gela. Greek Culture and Cuisine in the
Fourth Century BCE. Text, Translation, and Commentary, Oxford.
Orth, C. (2009): Strattis. Die Fragmente. Ein Kommentar, Berlin.
Orth, C. (2013): Alkaios - Apollophanes. Einleitung, Übersetzung, Kommentar, (Frag-
menta Comica 9.1) Heidelberg.
Orth, C. (2014): Aristomenes - Metagenes. Einleitung, Übersetzung, Kommentar, (Frag-
menta Comica 9.2) Heidelberg.
Orth, C. (2015): Nikochares - Xenophon. Einleitung, Übersetzung, Kommentar, (Frag-
menta Comica 9.3) Heidelberg.
Orth, F. (1922): ‘Hund’, RE VIIL2 2540-2582.
O’SuIlivan, N. (1992): Alcidamas, Aristophanes, and the Beginnings of Greek Stylistic
Theory, Stuttgart.
PA = Kirchner 1901-1903.
PAA = Traill 1994-2011.
Padgett, J. Μ. (2000): The Stahle Hands of Dionysos: Satyrs and Donkeys as Symbols of
Social Marginalization in Attic Vase Painting, in: B. Cohen (Hg.), Not the Classical
Ideal. Athens and the Construction of the Other in Greek Art, Leiden, 43-70.
Paladini, Μ. L. (1958): Considerazioni sulle fonti della storia di Cleone, Historia 7,
48-73.
Parker, R. (1983): Miasma, Pollution and Purification in Early Greek Religion, Oxford.
PCG = Kassel-Austin.
Pellegrino, Μ. (1994): Nota a Plutarco (966A = soll. anim. 9), Sileno 20, 401-404.