Klöster im Hochmittelalter

148 I Claire Taylor Jones

Other

G
H105
I
J
Antiphon
Inmortali
laude
Inmortali
laude
Inmortali
laude
Immortali
laude
Responsory
Virgo pia
sponsa xpi106
MR7: Nichil
huic
MR9: Vitam
katherine
MR6:
Preconia
Hymn
Hec tue virgo
Hec tue
virgo
Hec tue
virgo
Antiphon
super Mag-
nificat
Virginis
katherine
Virgini
katherine
Virgini
katherine
Virgini
katerine
Invitatory
Christum
regem
Christum
regem
Christum
regem regum
Christum
regem
Hymn
Laudibus
virgo
Laudibus
virgo
Laudibus
virgo
Antiphon 1
MA1: Admi-
rabilem dei
MA7: Nulla
unquam
MA4: Miri-
ficam virgi-
nis
MA5: Vul-
nerum enim
Antiphon 2
MA2: Miseri-
cordia
MA8: Semper
sancte
MA5: Vul-
nerum enim
MA2: Mi-
sericordia
summa
Antiphon 3
MA3: Christi-
anos quidem
MA9: Eter-
num hec
virgo
MA6: Perpe-
tue laudi
MA3:
Christianos
quidem
Responsory
1
MR7: Nichil
huic
MR7: Nichil
huic
MR1: Kathe-
rina virgo
MR1: Kate-
rina virgo

105 The breviary printed in Venice in 1520 also chooses to use the antiphons and responsories
of the third nocturn but use uses the ninth responsory (Vitam) in first vespers rather
than Nichil. Available online under: https://daten.digitale-sarnmlungen.de/bsb00035694/
image_488 (last accessed 15.1.2020)

106 This responsory is unique in the manuscripts. It is a contrafact of the sixth Matins re-
sponsory for the feast of the Translation of Dominic, Virgo pugil, found earlier in the same
manuscript (f. 108v-109r).